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ART 220 - sculpture survey i
BASIC SCULPTURE

SYLLABUS

ART 220, Sculpture Survey I (CRN 21062) Spring 2018 - E. C. Hale II

I. Art 220, Sculpture Survey I. Three credit hours.

II. Prerequisites: Art 101, 153, 164

III. Course Description: Provides an introduction to basic sculpture problems, approaches, and techniques. Course problems are set in additive, substitutive, and subtractive techniques.

IV. Texts and Materials: No text. Tools and supplies as directed by the instructor.

V. Objectives - General:

1. To foster an understanding of basic sculptural techniques through experience with modeling, carving, casting and assembling forms.

Objectives - Specific:

1. To introduce the student to the visual and technical problems of modeling sculptural forms, especially those relating to the figure.

2. To introduce the student to the expressive/communicative aspects of sculpture.

3. To introduce the student to the critical and evaluative aspects of sculpture.

VI. Activities and/or Procedures (in no particular order):

1. Direct modeling of clay.

2. Taking a mold from a clay relief and making a plaster cast.

3. Modeling a clay head over an armature.

4. Making a waste mold from the head and producing a plaster cast.

5. Working directly in plaster over a wire mesh armature.

6. Make a stone carving.

8. Quizzes may be given after the lecture/demonstrations of various techniques.

9. Research papers or book reports may be required.

VII. Course Calendar: See attached calendar.

VIII. Course Requirements: Completion of all assignments, tests and quizzes given is necessary for a passing grade. The student may be required to attend art exhibits and lectures outside of normal class time. The student must provide him/herself with materials and equipment as directed by the instructor. Studio time outside of scheduled class meetings is required.

IX. Attendance Policy: The Art Department's attendance policy is in effect. Its major provision; 10% absences (excused or not) automatically result in an "F". For specifics, see below.

X. Evaluation: Sculpture assignments will be evaluated by critique session. Students must participate in critiques. Each assignment will be evaluated in terms of the specific problem/project and general art criteria. Each project will have essentially equal weight in determining the course grade unless otherwise noted by the instructor. Any book reports, quizzes, tests and papers assigned will be factors in determining the course grade. Relative weight given to these will be determined by the instructor. See the attached “Grading Method” sheet.

 

STUDENTS WILL BE EXPECTED TO PROVIDE THEMSELVES WITH A BASIC SET OF HAND TOOLS AND SAFETY EQUIPMENT AS THE INSTRUCTOR DIRECTS. STUDENTS NOT PROPERLY EQUIPPED (MATERIALS/TOOLS) WILL BE COUNTED AS ABSENT EVEN THOUGH THEY MAY BE PHYSICALLY PRESENT.

 

STUDENTS WILL PAY A STUDIO FEE TO COVER EXPENDABLE MATERIALS.

 

Department of Art & Design Attendance Policy

Attendance: Students are expected to attend class and actively participate in all aspects of the learning process. This includes class discussions, written work, and in-class activities. National and local studies have shown a direct correlation between attendance and grade performance. Therefore, attendance is considered mandatory.

Students who miss more than 10% of the regularly scheduled class meetings due to unexcused absences are subject to failing the course.

For example: Students enrolled in classes that meet 2 times a week may not exceed 3 unexcused absences for the semester.

For the purposes of this course, "excused absences" include verifiable medical or family emergencies, University approved activities (accompanied by a University excuse), illness (yours or a family member’s), and other absences as outlined in the University’s “Student Absence from Class” policy. Students should be prepared to document the reasons for the absence. Students whose absences are not excused will not normally be allowed to make up tests, quizzes, and/or assignments. Students who anticipate having a high number of excused absences should contact their instructor as soon as the situation arises so that they can make arrangements for how to handle missed class time.

Late arrival or early departures from class that are unexcused will be considered in the tabulation of absences as well.

 

Accessibility Accommodation Statement

The University strives to make all learning experiences as accessible as possible. If you are registered with the Center for Student Accessibility (CSA), please request your accommodation letter from the CSA. CSA will transmit your letter to the course instructor(s). It is recommended that you discuss the accommodations needed with your instructor(s).

If you believe you need an accommodation and are not registered with the CSA, please contact CSA in 361 Whitlock Building by email at accessibility@eku.edu or by telephone at (859) 622-2933.

A student with a “disability” may be an individual with a physical or psychological impairment that substantially limits one or more major life activities, to include, but not limited to: seeing, hearing, communicating, interacting with others, learning, thinking, concentrating, sitting, standing, lifting, performing manual tasks and working.

Additionally, pregnancy accompanied by a medical condition(s), which causes a similar substantial limitation, may also be considered under the Americans with Disabilities Act Amendments Act (ADAAA).

Upon individual request, this syllabus can be made available in an alternative format.

 

Academic Integrity Preamble

Eastern Kentucky University is a community of shared academic values, foremost of which is a strong commitment to intellectual honesty, honorable conduct and respect for others. In order to meet these values, students at EKU are expected to adhere to the highest standards of academic integrity. These standards are embodied in this policy, which all students shall pledge to uphold by signing the Eastern Kentucky University Honor Code. By honoring and enforcing this Academic Integrity Policy, the University community affirms that it does not tolerate academic dishonesty. This policy defines the various forms of academic dishonesty, and it outlines the consequences for each. Additionally, this policy gives the method for appealing an instructor’s belief that some form of academic dishonesty has in fact occurred.

 

Academic Integrity Statement

Academic Integrity (AI) is a fundamental value for the Eastern Kentucky University community of students, faculty, and staff. It should be clearly understood that academic dishonesty and incidents of academic dishonesty will have serious consequences. Anyone who knowingly assists in any form of academic dishonesty shall be considered as responsible as the student who accepts such assistance and shall be subject to the same sanctions. Academic dishonesty can occur in different forms, some of which include cheating, plagiarism, and fabrication

 

For Current University Policies and Regulations:

Go to: http://policies.eku.edu/sites/policies.eku.edu/files/policies/

ART 220 - SCULPTURE SURVEY I - PROJECT DESCRIPTIONS

 

The projects may NOT be scheduled in the order listed below.

PROJECT: DIRECT BUILDING IN PLASTER  

 

Materials: plaster, burlap, galv. hardware cloth, 22 ga. annealed wire.  Tools: shears, pliers, scissors, putty knife, bowl, surform, knife.

Organic form of at least three elements - no more than 36" in its maximum dimension.  Must have a “smooth, controlled” surface. 

PROJECT: MAKING A FULL-DRAUGHT OPEN-FACE MOLD AND SUBSEQUENT CAST

 

SECTION 1.      MODELING THE RELIEF IN CLAY

Materials: potter’s clay, cloth, garbage bag.  Tools: square/metal ruler, modeling tool, brush, wood spacers.

Low relief self-portrait - approx.  9"X12" overall dimensions (oval and round formats O.K.)  Accurate appearance a goal.  The clay relief MUST have full draught. 

 

SECTION 2.      MAKING A PLASTER MOLD AND CAST FROM THE CLAY RELIEF

Materials: plaster, liquid soap, cocktail straws, galvanized hardware cloth.  Tools: putty knife, straightedge.  Must release from the mold cleanly (no broken parts) and have a surface that matches the clay original.  The cast must release easily and cleanly from the mold. 

 

PROJECT:  MAKING A FULLY THREE-DIMENSIONAL OBJECT OF CLAY, TAKING A MOULD FROM IT, AND MAKING A CAST IN PLASTER.  THIS PROJECT UTILIZES THE “WASTE-MOULDING” PROCESS.  

 

SECTION 1.      HEAD/BUST: CLAY STATE - Materials: potter’s clay, wire, butterflies, cloth, garbage bag.  Tools: pliers/wire cutters, paddle, modeling tools, calipers, sprayer/mister.  “From the life” (there will be a model).  Must be truly 3-D, accurate appearance is a major goal. 

 

SECTION 2.      HEAD/BUST: PLASTER CAST - Materials: plaster, burlap, shim stock, bluing, liquid soap, (optional steel rod).  Tools: eye protection, putty knife, scissors, common screwdriver, hammer, knife.  The resulting cast must repeat structure and surface of the clay original.  You may need “DUCO” cement for this one. 

PROJECT: SUBTRACTIVE PROCESS - DIRECT CARVING

 

STONE CARVING - Materials: Indiana (Bedford) limestone. Tools: eye protection, ear plugs, gloves, carving set (loaned by the school).  Some optional tools are; rifflers, files, rasps and pneumatic sander/grinders.  The work should result in an organic form that makes full use of the block’s dimensions. The form must not appear “blocky”.  Surface must be controlled and display appropriate texture(s).

GRADING METHOD FOR SCULPTURE CLASSES

Project/Problem points are awarded based on the following distribution of points
(100 percentage points available: 40%  Problem Solution, 30% Technical/Craft, 30% Creative/Aesthetic)

GRADING SCALE
A = 91% .......B = 81% .......C = 70% ......D = 60%

The Course (Final) grade is determined by averaging the grades of all projects
ALL COURSE WORK MUST BE COMPLETED OR A FAILING GRADE WILL RESULT - NO EXCEPTIONS


Below is an EXAMPLE of an assignment (problem) with accompanying EXPLANATIONS of the grading process.


THE ASSIGNMENT


PROBLEM: Using plaster, construct a/an ABSTRACT form(s) composed of at least three major elements.  The form(s) may relate to forms found in the external world, but must not be representational.  The form(s) should be truly three-dimensional.  That is, it/they should be visually interesting when viewed from 360 degrees. The due date for this assignment is --- --- ---.


TECHNICAL GUIDELINES:
The form(s) is/are to be constructed over a hardware cloth armature.  After the armature is built, the first layer is made of plaster soaked pieces of burlap.  The materials needed are: plaster, burlap, galv. hardware cloth, and 22 gauge annealed wire.  The tools needed are: shears, pliers, scissors, putty knife, bowl, surform, and a knife.  The form(s) should not be more than 30” in its/their maximum dimension(s), or less than 18”.  The final form(s) must have a controlled surface.  The work(s) should be free-standing and stable. 


CREATIVE AND AESTHETIC GUIDELINES:
Creative
Your work should present a response to the problem that new.  Avoid obvious everyday sorts of solutions that the “average guy on the street” would be likely to offer would probably not be considered particularly innovative.  Make your response personal – find your solution in your experiences of the external world. If your work looks a lot like most of the other work in the class, chances are that it’s not particularly creative (original, personal). 
Aesthetic
The work must be clearly abstract.  Strive for unity while maintaining viewer interest.  That is, your work’s various elements should all share the same basic nature while simultaneously offering the viewer enough variety to be interesting.  The work’s organization (arrangement of elements) must be logical/natural.  Further, many forms found in the external world suggest movement and have “lift”.  A form that expresses characteristics found in these guidelines, is generally effective in creating viewer interest.  A further note: any patination (color) should be appropriate to the shapes or forms of the work. 


GRADING THE RESULTS (How the grade is determined)


40 POINTS: SOLUTION OF THE PROBLEM INHERENT IN THE GUIDELINES
An Example: suppose that in evaluation (critique) analysis reveals the following. The work is made of plaster as directed and has the appearance of a lively form. Also, it has several elements as per the assignment. However, the sculpture is not fully three-dimensional. It has more of the nature of a free-standing relief than a fully in-the-round sculpture. Such a work might very well be perceived as pleasing by the casual viewer - HOWEVER, it fails to satisfy a major part of the assignment's general guidelines and will be graded down! Out of the 40 points possible, such a mistake might well result in the loss of 15 points. Conversely, if this project actually engaged the viewer from all angles (as well as satisfying the other guidelines), it could receive all 40 points.


30 POINTS: TECHNICAL PROFICIENCY
(Technical proficiency refers to how well-made a work is. Alternate terms would be “craftsmanship” or “skill”. Parts should be shaped, surfaced, and assembled appropriatly. A work that falls apart, won't stand as it should or is crude where it shouldn't be is not technically proficient.) For example, in critique the work is found to be structurally sound (it’s stable and balanced), and it meets the dimensional requirements, but the surface is messy (there are lots of irregularities and wire and burlap poke out of the surface), the overall judgment would be that technically, skilled craftsmanship is severely lacking. As a result, it would be appropriate to take off major points. Clumsy or sloppy work of any sort will severely cut into the 30 points available here.  On the other hand, appropriate craftsmanship could get all the available points.


30 POINTS: CREATIVITY AND AESTHETICS – N. B., Grading in the area of Creativity/Aesthetics is at least partially a "judgment call". The instructor relies on his experience with the world of art generally, and student work particularly. 


Creativity (Originality) - This is the degree to which the student responds to the assigned problem with a solution that is fresh and innovative. In art, creativity and innovation are extremely important. If the sculpture that results from this project presents new and "different" ways of putting forms together it will be considered very creative. On the other hand, if the solution is common, it is lacking in creativity.

Aesthetics (Rightness) - Aesthetics deals with the appropriateness of all elements of a work to its function. In slang, this might be called "rightness". The degree to which the art elements work to elicit an appropriate response from the viewer is the aesthetic effectiveness of an artwork. In judging the finished work the instructor (critic) makes aesthetic judgments the basis of how well (appropriately) all the elements that go into the work relate to one another. Usually the instructor asks himself a number of questions about the work. Some examples: Is the overall form appropriate to the medium? Do the elements (parts) relate, are spatial forces resolved? Is the patination effective? That is, is color used to emphasize elements appropriately, or does it downplay areas that should be emphasized? If the answers to these questions are positive, the work is said to be aesthetically successful.


CALCULATION OF A GRADE EXAMPLE
:
(ASSUMING THE WORK IS TURNED IN ON TIME)

Critique revealed that:
The assigned problem was generally solved with only minor lapses - 36 of 40 points awarded. 
Technically, the craftsmanship was only moderately skillful - 21of 30 points awarded. 
Creatively, the work was an unusual response to the problem (good) and, aesthetically, there were a very few inappropriate form relationships (good, but lacking a little) - 27 of 30 points awarded. 

Total points awarded – 84 (84%)
Based on the grading scale the grade is a “B”

IF WORK IS NOT TURNED IN ON TIME, GRADES WILL BE LOWERED APPROPRIATELY!

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ART 220 - SCULPTURE SURVEY I  SUPPLY LIST

 

IF YOU COME TO CLASS WITHOUT PROPER TOOLS AND EQUIPMENT, YOU WILL BE COUNTED ABSENT!  PURCHASE MATERIALS AND EQUIPMENT AS NEEDED FOR THE PROJECT AT HAND.  DO NOT CONSIDER THIS A COMPLETE LIST - YOU MAY NEED TO ADD TO IT!

 

THE CLASS FEE WILL COVER THESE MATERIALS:

Plaster - 2 Bags (100 lbs.)

Burlap - 2 Square Yards

Galvanized Hardware Cloth 1/2" mesh - 5' X 3' 

Wire, annealed "stove" wire, 20/22 gauge - 10 feet

Indiana Limestone 50 lbs or so minimum block

THE CLASS FEE WILL NOT COVER THE FOLLOWING:

You will probably have to provide your own rags or toweling (NOT paper towels), Duco Cement, and Liquid Soap

EQUIPMENT:

Putty Knife, 1 1/4" or 1 1/2" wide blade.... $ 1.79

Bowl, plastic 3-4 qt. (shallow)

Bowl, plastic 1 pt.- 1 qt. (like a butter tub)

Pliers, 6" slip-joint common................  $2.99

Shears, Compound "Aircraft" straight cut....  $10.49/12.97

OR

Diagonal Pliers, 6".........................   $4.49

Surform, "Shaver"...........................   $3.97

Scissors, 4" or 6"..........................   ????

Hammer......................................

Common screwdriver (1/4" bit)

Clay Tools (modeling and loop)..............   ????

Brush 1" Aflat throwaway@...................    .59

 

SAFETY EQUIPMENT (REQUIRED)

Gloves (leather palm minimum)...............   $2.00

Ear plugs/protective muffs..................   $1.00 + up

Safety goggles or a face shield.............   $1.99 + up

 

CLOTHING

You=ll need a hat to keep your head clean, a long sleeved cotton or leather jacket and (optional) an apron.                    

 

OPTIONAL

A pocketknife or multi-tool is not required but generally proves useful. 

 

Specialty tools like pneumatic carving sets will be provided.

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